"Native Son" - Prevalence of a Color Caste Hierarchy

In Chicago during the 1930s, stereotypes were placed on African-Americans and Communists that resulted in fierce handling against these groups of people. The brutal forces of racism and discrimination made it extremely uncorrectable for an ethnic or political minority to number freely in society. This social stratification based on blazon, a food warping association power structure, describes how sportsmanlike is viewed as superior to ruddy ? re innovateing the Communists ? and black. In essential Son, Richard Wright argues that this color order power structure is the groundwork for the ostracization of larger Thomas, the nuisance of Communism, and the command apprehension of minorities in society. To start, big beliefs ostracized from the world beca usance of the color caste power structure. large alludes to this himself when he says that tweed men dwell ?right vote out here in my stomach? (Wright 21). This logical argument expresses large?s internal fear o f whites. Later, when large is caught having bump off Mary, the daughter of the family he was working for, he flees the scene by jumping out a second-story window into the beguile. Wright uses a continual syntax along with imagery to use Bigger?s leap as a allegory for his apprehension of white society. He writes, ?Snow was in [Bigger?s] mouth, eyes, ears; snow was seeping down his back? (Wright 220). The white snow skirt Bigger overwhelms him, a good deal like the white people, serving as a expectant force pressing down upon him. Additionally, the bare Belt, the only domain of housing in Chicago?s South brass that sells real estate to blacks, is enclosed on all sides by white residential areas. Bigger thinks that the whites keep up him ?bottled up here like wild animals? (Wright 249), further conducing his intellectual banishment. The resplendency of white over black creates a color caste hierarchy that contributes to Bigger?s feeling of ostracization. In summing up to the loathing of blacks, the color caste ! hierarchy fosters a hatred for Communism. Even before Bigger knew what Communism was, he was conscious(predicate) that he was supposed to abhor its advocates and associate their color, red, with loathsome determine and traits. Bigger uses this stereotype to his advantage, addressing a ransom origin from a ?Red? to dispel suspicion. Without the color caste hierarchy, Bigger would not expect been able to allay the blame on himself. Later, when Bigger?s lawyer, Mr. goop, is arguing for Bigger?s life, he says, ?The newspapers had win over him that Communists were criminals? (Wright 390). Through Mr. Max, Wright makes the case that the color caste hierarchy, partially created by the media, is responsible for the contempt of Communism. The malevolence towards both blacks and reds finally signifies the world-wide fear prevalent in society. As antecedently mentioned, the media help in solidifying the color caste hierarchy. Mr. Max said, ?They shun because they fear, and they fear because they feel the deepest feelings of their lives are being assaulted and incensed? (Wright 390).

Wright contends that the wad media spreads false information and stereotypes virtually blacks and Communists out of terror for them. This disquietude causes whites to oppress other groups, creating the color caste hierarchy present at the time. At one point, a miss said, ?[Bigger] looks just like an ape? during an interview with the Chicago Tribune (Wright 279). The little daughter is petrified simply because of how black Bigger is, with this fright being call forth by the color caste hierarchy. Thus, the co lor caste hierarchy spawned the fear of minorities in! society. Above all, the color caste hierarchy leads to a mis deriveing of other cultures. When Mary Dalton and her boyfriend, Jan Erlone, attempt to analyse Bigger?s African-American culture, they make Bigger feel inept and out of place because he does not understand their culture, either. To Bigger, whites and blacks have completely discrete roles in every scene of the world, and the trespass of Mary and Jan into his world feels like a in the flesh(predicate) clap to him. The misunderstanding of other cultures creates fear, in turn bring about the color caste hierarchy. Only because false impressions survive does the color caste hierarchy contribute so earnestly to the ostracization of Bigger Thomas, the hatred of Communism, and the prevalent fear of minorities in society. works CitedWright, Richard A. Native Son. New York: Harper Perennial Modern Classics, 2008. Print. If you pauperism to quiver a full essay, order it on our webs ite: BestEssayCheap.com

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